Photos and video
Viola Lessons
Beginners who are at least five years old are encouraged to consider studying
the viola. It is the alto voice of the string family and its strings are tuned
five pitches lower than those of the violin. Many children find the rich tones
of the viola especially appealing. While full-sized violas are larger than
violins, smaller sizes are fitted the same as violins for younger students.
Violists provide an essential voice in string quartets and orchestras and
often are in great demand.
The School has a limited number of violas available on loan for older violin
students who wish to add viola skills by playing viola in orchestra or quartets.
Occasionally, violin students decide to transfer to the viola; this is an
easy adjustment which provides many new opportunities.
The viola program at the Preucil School is highly regarded internationally.
Doris Preucil is the author of the "Suzuki Viola School" with William
Preucil and Michael Isaac Strauss performing on the accompanying recordings.
Download brochure.
Learning: Lessons and practice information
Individual Lessons: Beginning students enroll for a thirty
minute lesson. This time is shared by child and parent, in order to instruct
the parent in his/her role as home teacher. All new parents and students
are encouraged to observe other student's individual lessons, as well as
a group lesson, during the first few weeks of the term. During these observations,
the Suzuki Triangle can be seen in action: parent, teacher, and child working,
sharing, and having fun together. Success in the Suzuki approach depends
upon this triangular relationship, rooted in a rich environment.
The parent is expected to be present at all lessons and supervise home practice
until the teacher determines that the student is sufficiently mature to
work without help. Using a cassette recorder to tape each lesson is recommended
whether or not the parent is present at the lesson. Questions which come
up mid-week are easily resolved, and reminders of special details result
in a better-prepared lesson.
Parents are asked to take pertinent notes in a notebook which is brought
to each lesson. The teacher's instructions should be written in this notebook
each session, so that a complete record is available for review and reminders.
The parent's role as home teacher usually continues for several years, with
the student gradually assuming more responsibility. The teacher will guide
the student toward working independently at the proper time.
When music reading is introduced (around Book Two or Three), it is advisable
to increase the individual lesson time to forty-five minutes, and the daily
practice proportionately.
The Preucil School welcomes students who transfer from non-Suzuki backgrounds
during any stage of advancement. Regardless of the age of such students,
it is helpful for their parents to observe lessons at first to gain an understanding
of Suzuki learning ideals and any necessary technical adjustments.
Home Practice and Listening: Progress occurs during home
practice and listening sessions. At lessons, the teachers take students
from where they are and move them to the next step. If growth has not occurred
at home during the week, the lesson remains at the same level. Similarly,
careful practice and listening habits in preschool and elementary years
can result in outstanding musical and academic accomplishments in high school
and later life. An open understanding with the teacher about realistic practice
and listening expectations is essential. While the discipline of regular
practice is not always easy, children are always happiest when they do well.
Suzuki challenges parents to "create the desire to learn" in their
children.
Additional information
Photos
and video
Learning:
Lessons/practice information
Viola
faculty
Registration policies and forms
Registration policies and forms
Thank you for your interest in the Preucil School of Music. If you have
trouble downloading the forms, please install the latest version of Adobe
Acrobat Reader.
To put your child or an adult student on our waiting list for lessons:
1. Please read the Enrollment Process carefully:
Enrollment
Process for lessons
2. If your child is under 5 years old, please read:
Pretwinkle
Partner Lesson Information
3. For information about lesson tuition and fees:
Fee
Structure 2008-2009
4. Print and complete the Placement Form:
Lesson
Placement Form
5. Print and complete the Observation Form:
Observation
Form
6. Send the completed forms and the $35 placement fee to:
Preucil School of Music - Main Campus
524 N. Johnson St.
Iowa City, IA 52245-2840
Financial aid is available.
Viola faculty
Janet
Ault
Marit
Hervig
Marit holds a Bachelor of Music from Western Illinois University and a Master
of Music from Arizona State University in viola performance and pedagogy.
Marit’s teachers include Doris Preucil, William Preucil, Dr. Roland Vamos,
and William Lincer. She completed her Suzuki Teacher Training with Sonja
Zeithamel and Doris Preucil. A former Preucil School student, Marit has
taught at the University of Memphis Suzuki Institute and is a registered
Music Together® teacher.
Doris
Bogen Preucil
Director Emeritus
Doris is the founder and Director Emeritus of the Preucil School of Music.
An honors graduate of the Eastman School of Music, she was a violinist with
the National Symphony and the Rochester Philharmonic. She has served on
the faculties of Western Illinois University, the University of Northern
Iowa, and Interlochen Arts Camp, and performed and presented workshops throughout
the United States and in Canada, Europe, Australia, Japan, and Korea. A
Suzuki teacher since 1963, she is the author of the Suzuki Viola School,
and a Past President of the Suzuki Association of the Americas. She was
named "Teacher of the Year" by the Iowa String Teachers Association
in 2005 and received a Lifetime Achievement Award from the Eastman School
in 2004.
William
Preucil
Advanced Viola
William Preucil has performed in over 30 countries in Europe, the Middle
East, Asia, Australia, and throughout North America. He is a graduate of
the Eastman School of Music, former principal violist of the Detroit Symphony
Orchestra, a founding member of the Stradivari Quartet, and is Professor
Emeritus at the University of Iowa, where he received its annual award for
Teaching Excellence in 1992. Mr. Preucil is the recording artist for the
method books of the Suzuki Viola School, is a member of the Board of Directors
of the International Suzuki Association, and has served as vice-president
of the American Viola Society.
Tabitha
Rasmussen
Tabitha Rasmussen received her Bachelor of Music and Teaching Certificate
and Masters of Music Education at the University of Iowa. Tabitha is an
alumna of the Preucil School where she studied with Diane Dahl-McCoy and
Doris Preucil. She taught public school orchestra in Lamoni and Davenport,
Iowa and currently teaches orchestra in the public schools in Mt. Vernon,
Iowa. Her children are currently violin students at the Preucil School.
John
Schultz
John Schultz holds a master of music degree from the Leonard Sorkin Institute
of Chamber Music. Prior to this Mr. Schultz received his bachelor of music
degree from the University of Wisconsin-Milwaukee. He has studied Suzuki
violin pedagogy with Nancy Jackson, Alice Joy Lewis, Mark Bjork, and has
studied viola pedagogy with William Preucil.
Gwen
Ying
Gwen received her Bachelor of Music Education from Northwestern University.
She studied Suzuki Pedagogy with Rebecca Fitz Sandrok, Doris Preucil, John
Kendall and Shinichi Suzuki. From 1972-88 she was Director of the Suzuki
Program at Elmhurst College (Illinois), and at Christ Church of Oakbrook,
Illinois. She introduced the Suzuki Method in Russia in 1995. Currently
Gwen teaches in Washington, Iowa and at the Preucil School of Music in Iowa
City.
Sonja
Berven Zeithamel
Director of the Preucil School of Music
Sonja co-founded the Preucil School of Music in 1975 as Assistant Director
and was named Director in August 1997. She is an honors graduate of the
Univeristy of Iowa School of Music. As a member of the Preucil School of
Music faculty, she teaches violin, viola, coaches string quartets and conducts
string orchestras. She is a registered Teacher Trainer for the Suzuki Association
of the Americas and travels throughout the United States as a clinician
at Suzuki Institutes and Workshops. She has served on the Board of Directors
of the Suzuki Association of the Americas.